I went to see Paris Snow with no great expectations. Live musicals aren't always my favourite thing, although I've seen a few. My main reason for going this time was a friend's suggestion, she wanted to go and I was already curious to see the inside of the Kino Teatr, which is a former cinema built in St. Leonards-on-Sea a hundred years ago. It was 'modernised' in the 1930's and again in the 1950's, became a bingo hall, spent time as a builder's merchant and has finally been returned to the performing arts with live music events, new shows like Paris Snow, drama, stand-up gigs, movies (current and classic) and live-streamed shows from London venues. As well as the auditorium, the building also houses the Baker-Mamonova art gallery specialising in Russian Art - a bit niche even for bohemian St. Leonards, but some very good paintings - and a restaurant/coffee shop which I've yet to sample (might review on Trip Advisor when I do...).
Paris Snow was surprisingly (to me) very good! Billed as a musical comedy-drama, it was co-written by Marc Mir (music) and Patrick Kealey who also directed. The production took full advantage of the limited space in this former cinema, the musicians including a pianist with baby grand occupied one side of the performance area, centre and upstage moveable staging was adjusted swiftly in the interval to set new scenes. Other scene changes were performed effortlessly by cast members while the show went on - smoothly done without the need for backdrops, furniture, flats, etc., why can't more productions be like this? The cinema screen was made good use of with video sequences, stills and graphics of sometimes not totally obvious relevance. There's no backstage to speak of in the building and not even a proper dressing room, let alone a green room so the hard working cast had to dress behind a curtain in the foyer.
The story starts with an American choir arriving for a concert in 1950's Paris, and receiving a mysterious invitation to a notorious night club. The city itself is represented by three spirits of Paris, who provide a humorous and knowing commentary which is a cross between a Greek Chorus and Shakespeare's rude mechanicals, with smatterings of fairy godmother. Witty writing and clever casting makes their contributions one of the highlights of the show. The plot has love triangles, murder, jealousy and even potential incest, with a fair amount of humour. The music includes beautifully rendered bluesy gospel numbers, some more standard love songs and at least one exceptional, upbeat number, "Nuff is Enough!" which was sung with huge verve and passion by the whole cast and accompanied by a distractingly funny video.
Overall I enjoyed the play very much and it was well received. I believe most of the 5 day run with two matinees was sold out and even the Sunday matinee we went to looked more than three quarters full. It was intended as a showcase/preview and comments were invited afterwards; the director is aiming for London. A lot of work has gone into the whole production and it deserves to do very well, with the right backing.